The Elder Scrolls IV: Oblivion Remastered for Nintendo Switch 2 is an unusual return to one of the most recognizable role playing games of the 2000s. It is not simply a matter of taking an old game, increasing the resolution, and placing it on a new system. This version attempts to rebuild the visual identity of Cyrodiil while preserving the freedom, unpredictability, simulation, and strange personality that made the original so unforgettable.<\/p>\n\n\n\n
After spending many hours traveling through Imperial City, wandering across the countryside, entering caves without knowing what I would find inside, and becoming distracted by missions that were never part of my original plan, I came away with the impression that Oblivion Remastered is still a very particular kind of RPG. It does not always feel modern, even with its improved visuals and updated interface. Some mechanics are awkward, certain animations are clearly dated, and the technical performance is not as consistent as I would expect from a major release on new hardware. Yet the game remains capable of creating situations that feel personal and spontaneous.<\/p>\n\n\n\n
That quality is difficult to reproduce. Many open world games are filled with activities, markers, rewards, and carefully arranged encounters. Oblivion often feels less controlled. I can leave a city with the intention of delivering an important message, notice a distant tower, decide to investigate it, find a bandit camp along the way, discover a hidden entrance, become involved in a completely unrelated quest, and eventually realize that I have forgotten what I originally wanted to do. The game is at its best when it allows this kind of distraction to become the main event.<\/p>\n\n\n\n
The story begins with the player imprisoned in a cell beneath the Imperial City. The situation changes dramatically after the arrival of Emperor Uriel Septim, whose voice immediately gives the opening a sense of importance. The player receives the Amulet of Kings and is asked to find Martin Septim, the emperor\u2019s heir. At the same time, mysterious gates begin to open across Cyrodiil, allowing creatures from a dangerous dimension to invade the province.<\/p>\n\n\n\n
The main plot involves political conflict, ancient prophecies, large battles, desperate defenses, and the attempt to prevent a cult from destroying the empire. It is a traditional fantasy story with enough memorable moments to keep the player invested, but the campaign is only one part of what makes the game so enjoyable. In many of my sessions, the main quest became almost secondary to the countless smaller situations unfolding around it.<\/p>\n\n\n\n
Cyrodiil is still the real star of the experience. Its cities, roads, ruins, caves, forts, farms, forests, and mountains create a setting that encourages exploration without constantly demanding it. I can follow the main objectives, use fast travel, and move efficiently from one location to another. I can also ignore all of that and spend an entire evening gathering ingredients, exploring abandoned buildings, training skills, testing spells, or simply observing the routines of the inhabitants.<\/p>\n\n\n\n
The remastered edition includes Knights of the Nine and Shivering Isles, two substantial expansions that add even more content. Knights of the Nine gives the player a religiously themed adventure involving a mystical set of armor and a powerful threat. Shivering Isles is much more distinct, taking the player to a bizarre realm ruled by Sheogorath. Its strange characters, unusual locations, dark humor, and unpredictable scenarios give the game a completely different tone.<\/p>\n\n\n\n
Together, the main campaign, faction stories, expansions, arena battles, side quests, dungeons, and spontaneous discoveries provide an enormous amount of content. Oblivion Remastered is not a game that can be completed in a weekend unless the player deliberately ignores most of what makes it special. Even after many hours, I continued to find places, conversations, objects, and situations that encouraged me to keep exploring.<\/p>\n\n\n\n
Mec\u00e2nicas e Jogabilidade<\/p>\n\n\n\n
Oblivion Remastered preserves the role playing structure of the original while making a number of changes intended to make it more comfortable for modern players. Character creation remains very detailed. I can select a race, determine the character\u2019s appearance, choose a class, define preferred skills, and build a personality that supports a specific style of play.<\/p>\n\n\n\n
The possibilities are broad. I can create a heavily armored warrior who relies on swords, shields, and endurance. I can play as a stealthy archer who avoids direct confrontations and searches for advantageous positions. I can use destruction magic, healing spells, summoned creatures, alchemy, or a combination of several approaches. The system allows experimentation, although not every build is equally efficient.<\/p>\n\n\n\n
One of the game\u2019s defining features is the way skills improve through use. A character becomes better at what the player actually does. If I spend hours using a bow, my archery skill grows. If I rely on sneaking, lockpicking, alchemy, or spellcasting, those abilities develop naturally. This makes progression feel connected to playstyle rather than completely separated from it.<\/p>\n\n\n\n
The system can also create problems. Since the player\u2019s level affects the strength of many enemies, simply becoming more experienced does not guarantee that the game will become easier. If I increase skills that do not contribute directly to combat effectiveness, I may level up without becoming sufficiently powerful to handle stronger enemies. Poorly planned progression can result in battles that feel unnecessarily long and frustrating.<\/p>\n\n\n\n
This is one of those systems that rewards understanding. Once I began paying closer attention to attributes, equipment, spell selection, and the way my main skills were developing, the character became more effective. The game does not always explain its internal rules clearly, so new players may need time to understand why certain enemies suddenly seem much more resistant.<\/p>\n\n\n\n
Combat remains serviceable, but it is also one of the clearest reminders that this game originated in another era. Weapon attacks feel more substantial than they did in the original version, thanks to improved animations and presentation, but swordplay is still fairly simple. Much of the time, I am alternating between attacking, blocking, backing away, and waiting for an opportunity to strike.<\/p>\n\n\n\n
The system becomes more enjoyable when I avoid treating every encounter as a test of constant button pressing. Blocking at the right moment, managing stamina, using terrain, applying poison, changing weapons, and combining physical attacks with magic can make battles more interesting. However, the underlying structure lacks the precision found in newer action RPGs.<\/p>\n\n\n\n
Magic gives the game more flexibility. Destruction spells can provide direct damage, restoration keeps the character alive, alteration offers useful utility, and conjuration allows the player to summon allies to fight alongside them. I particularly enjoyed using magic not only as a weapon, but also as a way to alter the conditions of an encounter.<\/p>\n\n\n\n
A spell can provide an advantage before combat begins, improve movement through an area, manipulate defenses, or create an opportunity to escape. This makes the magic system useful even when the player is not building a traditional wizard. A warrior can still benefit from utility spells, while a thief can use magic to support stealth and mobility.<\/p>\n\n\n\n
The game retains the structure of equipping one weapon alongside a spell rather than using a modern dual wielding system. This can initially feel restrictive, especially for players coming directly from newer fantasy RPGs. At the same time, it gives each encounter a little more focus. I have to make choices about what I want ready instead of carrying every option in both hands at once.<\/p>\n\n\n\n
Stealth is another strong part of the experience. Entering a house at night, watching an NPC\u2019s routine, waiting for the right moment, stealing an item, and leaving without being noticed can be more satisfying than defeating a group of enemies in open combat. The Thieves Guild makes excellent use of these ideas, with missions that involve planning, observation, and careful movement.<\/p>\n\n\n\n
The Dark Brotherhood is arguably even more successful. Its quests are darker, more theatrical, and more inventive than most of the game\u2019s other faction content. The mission involving several potential victims in one house is an outstanding example of how Oblivion can create a memorable situation from a relatively simple premise. The player is given freedom in how to approach the problem, and the outcome depends on personal choices.<\/p>\n\n\n\n
The Mages Guild also offers a worthwhile sequence of missions, while the Arena provides a more direct series of battles and rewards. The faction stories are not disposable side content. They contain their own characters, conflicts, set pieces, and conclusions. In some cases, I found them more consistently entertaining than the main campaign.<\/p>\n\n\n\n
The interface has been improved significantly. The map is easier to understand, inventory management is more practical, and menus feel less cumbersome than they did in the original release. The option to increase the text size is particularly useful when playing in handheld mode. There are also adjustments for field of view, aiming assistance, motion controls, vibration intensity, and separate sensitivity settings.<\/p>\n\n\n\n
The Switch 2 version offers several ways to control the game. Traditional controls work as expected, while mouse mode with the Joy Con can make aiming and menu navigation more comfortable. Motion controls add another alternative, and the touchscreen can be useful in menus. I appreciated having so many choices, although switching between control modes is not always automatic and can be less convenient than it should be.<\/p>\n\n\n\n
The game also preserves many of its simulation elements. Weapons and armor can degrade, NPCs have routines, characters can react to dispositions, and certain conditions can alter the way the player interacts with the world. Vampirism is a good example. A careless encounter can infect the player, leading to new abilities, restrictions, and a different relationship with time and sunlight.<\/p>\n\n\n\n
These systems can create memorable personal stories. On one occasion, I found myself thinking more about curing an affliction than completing the main quest. The game did not need to create a lengthy cinematic sequence to make the situation meaningful. The mechanics themselves changed the way I planned my movements, selected locations, and thought about my character.<\/p>\n\n\n\n
Gr\u00e1ficos<\/p>\n\n\n\n
The visual transformation is the most obvious improvement in Oblivion Remastered. Cyrodiil has been rebuilt with higher quality models, more detailed environments, improved materials, and a much more advanced lighting system. Cities look denser, interiors have greater visual depth, and the wilderness contains more detail than it did in the original version.<\/p>\n\n\n\n
The new presentation is especially effective when viewed from a distance. Standing on a hill and looking toward a city, a castle, or a distant mountain can create some striking images. The world feels more substantial and more atmospheric, even though the general arrangement of locations remains familiar.<\/p>\n\n\n\n
Lighting is one of the most important additions. Sunlight, shadows, fire, reflections, and global illumination give the setting a much stronger sense of depth. Forests feel heavier, interiors seem more naturally connected to the outside world, and portals to Oblivion create a dramatic contrast with the green countryside surrounding them.<\/p>\n\n\n\n
The gates themselves are among the most impressive visual elements. Their red skies, smoke, fire, rocky structures, and hostile creatures make them feel like genuine wounds in the landscape. Entering one of these areas produces an immediate change in mood. Cyrodiil may be peaceful and bright, while the other dimension feels oppressive, dangerous, and unstable.<\/p>\n\n\n\n
Character models have also received a major update. Faces, hair, clothing, armor, and body details are much more refined. At the same time, the new models do not always match the older animation systems. Some characters look far more detailed than they move, and certain expressions can appear strangely exaggerated.<\/p>\n\n\n\n
That contrast contributes to the game\u2019s unusual personality. A character may have a modern face, detailed clothing, and realistic lighting, yet walk or react in a way that seems inherited from a much older production. Instead of completely removing the oddness of Oblivion, the remaster often places it inside a more polished visual environment.<\/p>\n\n\n\n
The art direction is less colorful than I remember from the original. Some landscapes and environments have a more muted appearance, with less emphasis on bright greens and saturated colors. I understand the desire to create a more grounded fantasy atmosphere, but there were moments when I missed the stronger visual contrast of the older presentation.<\/p>\n\n\n\n
The new lighting does produce more dramatic scenes. A sunset over the Imperial City can be beautiful, and certain forests look excellent when sunlight passes through the trees. Fires illuminate nearby walls and characters, while storms and nighttime conditions create a more serious atmosphere.<\/p>\n\n\n\n
The greatest visual weakness is found in dark interiors. Caves, catacombs, and underground ruins can become so dark that navigation turns into a test of patience. I often found myself trying to identify the floor, locate doorways, and determine whether I had already visited a corridor.<\/p>\n\n\n\n
A torch helps, but not always enough. The problem is not simply that the locations are dark. The issue is that objects and surfaces can become difficult to distinguish, which affects navigation rather than only mood. A frightening dungeon is effective. A dungeon where the player cannot tell where the path continues is less successful.<\/p>\n\n\n\n
The reconstruction technology also produces occasional visual artifacts. Moving objects may leave a faint blur or ghostly trail, particularly when the player is using a bow or when thin objects move quickly across the screen. Water reflections can also behave strangely, sometimes displaying objects in positions that do not seem physically correct.<\/p>\n\n\n\n
These issues are noticeable, but they do not erase the overall improvement. The game looks far better than the 2006 release, and the most important locations benefit greatly from the new rendering technology. Even when I encountered a rough character animation or a strange reflection, I could still appreciate how much detail had been added to the world.<\/p>\n\n\n\n
In handheld mode, the visual result is particularly impressive. The resolution target is lower than in docked mode, but the smaller screen helps hide some of the softness caused by image reconstruction. The game can appear slightly muddy during motion, yet the environments remain detailed and attractive.<\/p>\n\n\n\n
I also noticed some object and environmental elements appearing as I moved through the world. Distant details can load into view, and characters far away may use simpler animations. These issues are not unusual in a large open world, but they become more visible when the frame rate is already struggling.<\/p>\n\n\n\n
Som<\/p>\n\n\n\n
The soundtrack remains one of the strongest aspects of the game. The compositions create a sense of scale without overwhelming the exploration. Soft musical themes accompany quiet walks through the countryside, while more intense arrangements appear during battles, discoveries, and moments of danger.<\/p>\n\n\n\n
The main theme is still memorable, but the broader soundtrack deserves equal attention. The music knows when to become dramatic and when to disappear completely. Some of my favorite moments happened while walking along a road with only the sound of wind, footsteps, distant wildlife, and occasional ambient effects.<\/p>\n\n\n\n
That restraint makes the world feel more spacious. The game does not constantly force music into every second of the experience. Silence can make a cave feel more threatening, while a sudden musical transition can give a simple encounter greater importance.<\/p>\n\n\n\n
Cities have their own sound identity. Conversations, footsteps, doors, market activity, animals, guards, and environmental noises create the sense that people are living around me. The routines are not always believable, but the sound design supports the impression that each location has its own rhythm.<\/p>\n\n\n\n
The voice acting remains memorable, particularly in the opening scenes. Patrick Stewart gives the emperor a serious and authoritative presence, helping the introduction feel more important than the underground setting might suggest. Other characters also contribute to the identity of the guilds and regions.<\/p>\n\n\n\n
There is some repetition in the voice cast. Several NPCs can sound very similar, and the limited number of voices becomes obvious after extended play. Nevertheless, the performances are part of Oblivion\u2019s identity, and I would not want the remaster to replace them entirely.<\/p>\n\n\n\n
Combat sounds are clearer and more pronounced than before. Sword clashes, shield impacts, spells, arrows, creatures, and environmental effects are easier to distinguish. The sound of a successful hit helps communicate contact, even when the animation itself remains somewhat stiff.<\/p>\n\n\n\n
The otherworldly areas have more aggressive soundscapes. Fire, creatures, distant impacts, and unsettling ambient tones make those locations feel less welcoming than the rest of the map. Dungeons often rely on echoes, silence, and small noises to create tension rather than using constant musical cues.<\/p>\n\n\n\n
The Switch 2 handles the audio well in both handheld and docked modes. Headphones make it easier to appreciate small environmental details, while a television setup benefits from the game\u2019s surround sound support. I could often hear movement or activity before locating its source.<\/p>\n\n\n\n
The soundtrack and audio design help preserve the emotional identity of the game. The visuals may be new, but the music and sound effects keep the experience connected to the atmosphere I associate with Cyrodiil. This is one of the areas where the remaster feels especially successful.<\/p>\n\n\n\n
Divers\u00e3o<\/p>\n\n\n\n
Oblivion Remastered is at its most entertaining when I stop trying to play it efficiently. The moment I decide to follow every objective in a direct line, I lose some of the experience\u2019s best qualities. The real pleasure comes from allowing the world to interrupt my plans.<\/p>\n\n\n\n
I can leave the Imperial City to meet a contact, notice an unusual building, investigate it, find a hidden passage, fight a group of enemies, discover an item connected to another quest, and eventually spend the rest of the evening trying to understand how the situation developed. This kind of accidental storytelling is still one of the game\u2019s greatest strengths.<\/p>\n\n\n\n
The world is full of small activities that become meaningful because they are connected to the character I created. Collecting flowers can lead to useful potions. Training a skill can affect the way I approach combat. Buying equipment can change my appearance and abilities. Helping one NPC can lead to another task, which can reveal an entirely different part of a town.<\/p>\n\n\n\n
The game\u2019s unpredictability is also connected to its imperfections. NPCs can get stuck, companions can behave strangely, and physics can produce situations that were clearly not planned by the developers. While these problems can be irritating, they can also create stories that I remember more clearly than some scripted scenes.<\/p>\n\n\n\n
I encountered characters who walked incorrectly, followed strange routes, or appeared in places where they clearly should not have been. These moments can break immersion, but they can also make the world feel uniquely unpredictable. Oblivion has a sense of humor that often comes from the collision between serious fantasy storytelling and bizarre behavior.<\/p>\n\n\n\n
The simulation systems make the world feel reactive. NPCs have schedules, relationships, opinions, and routines. Events can happen outside the player\u2019s immediate view, and the results may only become apparent much later. Returning to a town and discovering that someone has died can be strangely effective because the game does not always explain exactly what happened.<\/p>\n\n\n\n
This creates a different kind of storytelling. Instead of watching every important event in a cutscene, I sometimes have to reconstruct what happened from the evidence left behind. A dead merchant near a refugee camp, a missing character, or a new conflict in a familiar location can suggest that the world continued to function while I was elsewhere.<\/p>\n\n\n\n
The faction quests are a major source of entertainment. The Dark Brotherhood is filled with memorable situations, unusual objectives, and a tone that is more dramatic than the main campaign. The Thieves Guild rewards patience and stealth. The Mages Guild focuses on magical conflict and ambition. The Arena provides a more direct path for players who want fights and rewards without as much investigation.<\/p>\n\n\n\n
Shivering Isles adds a completely different flavor. The region feels more colorful, more absurd, and more unpredictable than Cyrodiil. Sheogorath\u2019s presence gives the expansion a clear identity, and the writing frequently embraces humor and discomfort at the same time. It is not simply more of the same content. It feels like a separate world built around a distinct creative idea.<\/p>\n\n\n\n
The game is also well suited to portable play. A short session can be productive, but longer sessions are equally rewarding. I can complete a small objective during a break or spend several hours exploring the countryside. The ability to suspend the game and continue later makes a large RPG easier to fit into daily life.<\/p>\n\n\n\n
The absence of console mod support is the main limitation for players who are used to the PC version. On a computer, Oblivion can be changed dramatically through graphical modifications, new quests, system overhauls, bug fixes, and customization tools. The Switch 2 version cannot offer the same level of flexibility.<\/p>\n\n\n\n
That does not make the port pointless. It simply means that the console version is aimed at players who value convenience, portability, and a prepared experience. I could start the game and play without spending hours adjusting files or organizing modifications. For some players, that simplicity will be an advantage.<\/p>\n\n\n\n
The overall amount of content is also a strong point. The main story, faction campaigns, expansion material, dungeons, random encounters, exploration, character development, and crafting systems provide enough variety to sustain a very long playtime. Even after revisiting familiar locations, I continued to find reasons to explore them again.<\/p>\n\n\n\n
Performance e Otimiza\u00e7\u00e3o<\/p>\n\n\n\n
The Switch 2 version makes a good visual impression, but the technical performance is inconsistent. The game generally targets 30 frames per second, with docked mode aiming for a resolution around 1080p and handheld mode operating closer to 900p. These targets are reasonable for such a demanding open world, but the result does not always feel stable.<\/p>\n\n\n\n
During ordinary exploration, the frame rate can dip when moving through busy areas, entering crowded cities, riding across the countryside, or approaching locations with many environmental elements. Large battles can also cause noticeable drops. The game is not a fast action title, so the problems are rarely impossible to endure, but they are easy to notice.<\/p>\n\n\n\n
Frame pacing is a major concern. Even when the game appears to be close to its target, movement can contain brief pauses or uneven transitions. This is especially visible while traveling across the world, where map sections and environmental details are loaded in real time.<\/p>\n\n\n\n
The issue can be more noticeable in docked mode because the larger image makes every hitch easier to see. Handheld mode is not perfect, but I found the experience more comfortable there. The smaller screen reduces the impact of visual irregularities, and the overall presentation remains attractive.<\/p>\n\n\n\n
The game also displays occasional stutters when loading new parts of the world. Trees, objects, and distant details may appear shortly after I enter an area. These changes are not always severe, but they contribute to the sense that the hardware is constantly managing a very demanding environment.<\/p>\n\n\n\n
Interior areas generally perform better because they are separated from the open world. Caves, houses, guild halls, and smaller dungeons tend to be more consistent. However, I still encountered moments in which loading took longer than expected, including situations that appeared to remain on the loading screen for too long.<\/p>\n\n\n\n
Crashes and soft locks are another concern. A character can become stuck during an important sequence, menus can stop responding, or the game can return to the console\u2019s home screen. These problems may not happen constantly, but their impact is greater in a game built around long sessions and extensive exploration.<\/p>\n\n\n\n
I strongly prefer to maintain several save files rather than relying on a single one. The game can suffer from performance degradation after extended play, and restarting it periodically is a sensible precaution. A remastered release should ideally remove the need for this kind of caution, but players should be prepared for it here.<\/p>\n\n\n\n
The technical situation is partly explained by the way the remaster was built. The new visual layer is considerably more advanced, while many underlying systems continue to behave like those of the original game. The result is a modern rendering system working alongside older structures that can create bottlenecks.<\/p>\n\n\n\n
DLSS helps preserve image quality. It allows the game to present a detailed image even when it cannot render every frame at a high native resolution. In many scenes, the reconstruction works well and makes the Switch 2 version look much better than I expected.<\/p>\n\n\n\n
The tradeoff is the appearance of ghosting and motion artifacts. Fast moving objects, bows, water, foliage, and thin environmental elements can leave trails or display small visual errors. These artifacts are not present all the time, but they become noticeable when I pay attention to moving details.<\/p>\n\n\n\n
Input response is better than the frame rate might suggest. The controls feel responsive, and the mouse mode is particularly enjoyable when aiming or navigating menus. A 60 frames per second option would have made the experience much smoother, but the available response time is still acceptable for the type of RPG this is.<\/p>\n\n\n\n
Loading times are also manageable, although external areas take longer than interior locations. Installing the game in faster internal storage can influence how quickly some areas load, but this does not eliminate the pauses entirely.<\/p>\n\n\n\n
Overall, the Switch 2 hardware does a respectable job of running a visually ambitious RPG, but the software is not fully optimized. The game remains playable and enjoyable, yet the technical presentation prevents it from being the definitive version. Players who demand stable performance will have to accept compromises.<\/p>\n\n\n\n
Conclus\u00e3o<\/p>\n\n\n\n
The Elder Scrolls IV: Oblivion Remastered on Nintendo Switch 2 is a strong adaptation of a huge and distinctive RPG, but it is not a flawless modernization. Its visual presentation has improved enormously, its interface is more accessible, and the addition of mouse controls, motion support, touchscreen input, and portable play gives it a unique appeal.<\/p>\n\n\n\n
The most important achievement is that the game still feels like Oblivion. The freedom remains intact. The faction stories remain compelling. The world still encourages curiosity rather than efficiency. NPC routines can create unexpected outcomes, and even a technical mistake can become an amusing memory.<\/p>\n\n\n\n
At the same time, the problems are impossible to ignore. Combat still lacks refinement, the inventory can become tiresome, dark areas are sometimes difficult to navigate, and the performance is affected by frame drops, stutters, loading issues, and occasional instability. The visual improvements do not completely conceal the age of the underlying systems.<\/p>\n\n\n\n
For newcomers, the Switch 2 version offers a convenient way to experience one of the most content rich open world RPGs available on Nintendo hardware. It is important to understand that this is not simply a more limited version of Skyrim. Oblivion has stranger systems, less polished combat, more unpredictable characters, and a greater willingness to let the player create problems without clearly explaining how to solve them.<\/p>\n\n\n\n
For returning players, the remaster provides a compelling reason to revisit Cyrodiil. The landscapes are more detailed, the lighting is more dramatic, the interface is easier to use, and the portable format makes it simple to continue playing in short or long sessions. The old personality has not been erased, even when some of the original imperfections are less common than before.<\/p>\n\n\n\n
I recommend Oblivion Remastered for Switch 2, with one important qualification. This version is recommended for players who value exploration, freedom, character building, faction stories, and the ability to play a massive RPG away from a desktop or television. It is not the best choice for anyone who considers technical stability, mod support, or a high frame rate essential.<\/p>\n\n\n\n
The game succeeds because its best qualities are not dependent on perfect technology. The strongest moments come from deciding to investigate a distant location, watching a plan fall apart, becoming involved in an unexpected side story, or solving a problem in a way the game never explicitly suggested. Cyrodiil remains a place where the player can create stories through actions, accidents, mistakes, and curiosity.<\/p>\n\n\n\n
Even with its rough edges, Oblivion Remastered is an impressive package. It offers a huge amount of content, a memorable soundtrack, excellent faction quests, a visually transformed world, and enough freedom to make every playthrough feel personal. The Switch 2 port asks the player to tolerate technical compromises, but the reward is access to one of the most unpredictable and entertaining fantasy RPGs on a portable Nintendo system.<\/p>\n\n\n\n
Positive Points<\/strong><\/p>\n\n\n\n Negative Points<\/strong><\/p>\n\n\n\n Rating:<\/strong> The Elder Scrolls IV: Oblivion Remastered for Nintendo Switch 2 is an unusual return to one of the<\/p>\n","protected":false},"author":1,"featured_media":245,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/revolutionarena.com\/pt-br\/wp-content\/uploads\/sites\/2\/2026\/08\/The-Elder-Scrolls-IV-Oblivion-Remastered.jpg","fifu_image_alt":"","footnotes":""},"categories":[2],"tags":[6],"class_list":["post-243","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews","tag-switch-2"],"_links":{"self":[{"href":"https:\/\/revolutionarena.com\/nintendoparty\/wp-json\/wp\/v2\/posts\/243","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revolutionarena.com\/nintendoparty\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revolutionarena.com\/nintendoparty\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revolutionarena.com\/nintendoparty\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/revolutionarena.com\/nintendoparty\/wp-json\/wp\/v2\/comments?post=243"}],"version-history":[{"count":2,"href":"https:\/\/revolutionarena.com\/nintendoparty\/wp-json\/wp\/v2\/posts\/243\/revisions"}],"predecessor-version":[{"id":246,"href":"https:\/\/revolutionarena.com\/nintendoparty\/wp-json\/wp\/v2\/posts\/243\/revisions\/246"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revolutionarena.com\/nintendoparty\/wp-json\/wp\/v2\/media\/245"}],"wp:attachment":[{"href":"https:\/\/revolutionarena.com\/nintendoparty\/wp-json\/wp\/v2\/media?parent=243"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revolutionarena.com\/nintendoparty\/wp-json\/wp\/v2\/categories?post=243"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revolutionarena.com\/nintendoparty\/wp-json\/wp\/v2\/tags?post=243"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}\n
\n
Graphics: 8.6
Fun: 9.2
Gameplay: 8.1
Sound: 9.4
Performance and Optimization: 6.6
FINAL SCORE: 8.3 \/ 10.0<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"